Revolutionary context of Tunisia from a postcolonial perspective.
His research is situated on the intersection of art and political theory, where he investigates the revolutionary context of Tunisia from a postcolonial perspective. He proposes to question the revolutionary performative and imaginary processes of destruction, diversion and re-construction through a critical aesthetic lens. He is also affiliated to the 'Studies in Performing Arts & Media' research group of the university of Ghent (S:PAM).